A G20 will fit on the same baffle as the bass driver. If i use the G25 as the in firing tweeters and G20 for the rest then i get 2dB more output firing inwards. That would be good for when off axis and nearer one speaker than the other. Usually you would hear more of the nearer tweeter but if the in firing tweeter of the further away speaker was louder then that may even the balance.
Doing this would mean i use the two G25ffl i have already and buy six more G20sc which will save me a fair bit of money The frequency response of the G20 is not quite as nice high up as the G25 but nobody has ever had any complaints. G20 is less directional though as the soft dome is 5mm smaller - a good thing in an omni directional speaker ??
Although Bob Marley is thought to be bass heavy it isn't really. The bass parts are the tune a lot of the time yet it is always tight, you can hear all the notes clearly, it is lovely and textured and i don't feel the need for less or more bass volume.
Kate Bush, Supertramp, The Police, Fleetwood Mac are other examples where they have it about right.
I play Foo fighters One by One quite often and that bass is as muddy as hell. Well i don't reckon much to the recording at all to be honest. Some electronic music is just plainly over done as well as some Jamiroquai. I can understand some listeners with their speakerettes liking it as they have no bloody bass on anything. But get a speaker that is cable of reproducing it and you can run in to problems which need taming (i know).
A lot don't have enough bass for my liking. Nick Drake, Blue note jazz (some) , Led Zeppelin. Bloody hell, if i was John Paul Jones i would be well upset.
I suppose it's a balancing act trying to reproduce all these recordings to your liking unless you have a graphic equaliser or a mechanical thing of some sort that can be altered on the fly. I don't want an anologue or digital graphic equaliser in the chain, it goes against my minimalist beliefs. So i am left with mechanical ways of changing bass output. Moving speakers back to the wall or away from the wall between albums is not something i could be arsed doing. I could live with a volume control just for the bass drivers and one for everything else or one for each driver (bass, mid and tweeter) but then changing volume becomes a bit of a pain in the arse and expensive. An aperiodic vent whose size can be altered on the fly might also work for me.
Changing the speaker frequency response to suit my ears, equipment, room and taste has just blown my audiophile credentials out of the water. There, i need to say it. I am not an audiophile Couldn't give a toss to be quite honest, if it is good to my ears then it is good Some might say just balance it to cover all types of music and recordings and forget about it.
It's 4 ohm rated and 86dB. Frequency response doesn't look as good as the G20sc or G25ffl but you never know.
Would be ideal for tight spaces as it is only 39 mm wide overall That's the best thing about it i think.
It is more omni directional as well due to it's smaller cone (13 mm)
Worth considering even though they are described for in car use. When has that ever meant anything. The 5" and 12" drivers are classed as PA drivers but that doesnt stop you using them for hifi. I might get a couple and try them out, only £28 for a pair.
6 x G20SC for £203 inc VAT & delivery
6 x G25ffl for £272 inc VAT & delivery
Much cheaper than i thought (like over £100 cheaper). Don't buy any from Impact Audio
Driver run in is very real. The surround and spider need to free up which should make the bass more fulsome as time goes on. I had forgotten about speaker run in . I hope the run in of the new 5 inchers improves the music not the other way around. Maybe i should delay final judgement until they have a hundred hours or so on them.
I use that album a lot
Digital Sources- Little Dot Dac1, Musical Fidelity E600 & Apple TV
Amplification-NVA P20 & A20 (both modded)
Speakers- Diy BBCubes; Ls6
Mini BMU to dc blocker