Well done in finding a good copy of this, I thought this as classic Yes, an album I still love today, and a good recording. I remember getting my LP12 Lingo'ed, and it really made a difference to this album, making a lot more sense of it. It was a 'touch' difficult to enjoy the live performance of this album since the album had not been released before the tour!Fretless wrote: ↑Sat Jan 22, 2022 1:56 pm Yes 'Tales from Topographic Oceans' (1973)
Found a nice 2nd-hand LP copy this morning and am giving it a spin.
'Topographic Oceans' is one of those love-it-or-hate-it records that splits opinions - for some it is a Himalayan peak of Prog perfection, for others a Marianas Trench of overblown pompous boredom.
Rick Wakeman disliked it and, for concerts, had special wooden blocks with nails set in to hold down keyboard chords while he ate takeaway curries (smuggled onstage by the roadies) from under his cape.
Older now (and maybe not wiser but more patient) it's finding a new place in my appreciation. After the monumental precision of 'Close to the Edge' there was no way to improve on that - so a totally different approach was needed and 'Tales' was just what Yes had to do at that moment. A double LP comprising a single work spread out over 4 side-long sections.
Mainly written by Anderson and Howe, the music is very much guitar-based with the lyrics searching for spiritual enlightenment. It could be a recipe for a New-Age drone-out but Chris Squire and new-boy Alan White do their best to inject some rhythmic backbone into proceedings, and Wakeman's Moog solos are inspired (when he is allowed to let rip).
Still, there are sections that are just too long and drawn-out to hold one's attention properly, but the good bits are certainly worthwhile. Putting this work into its perspective in the Yes story, now it fits and I can begin, grudgingly, to like it.
You mention 'Talk' Fretless, an album I never listen to along with Big Generator, I will have to give Talk another listen, but Big Generator, nah.